"it shows the carfully thought out design and general layout (in this case the shot taken by a high camera angle looking down on the couple.).. .. which i find more interesting."
"I very vaguely remember the photo shots being taken...male model recognisable as Dick Orme...( girl, I don't even remember who she was )..it was quite tricky to get a good shot, ....the girl model was quite heavy..Dick was tall and strong enough to pick her up but the photo had to be taken quick, without getting any movement which blurred the photo..... also to get a good angle on both faces. ....I remember he picked her up, and put her down many times, before we got enough to work from...."
"That was the period when the publishers wanted more 'finished' artwork.. . more in the style of the Italian renaissance painters .. so that's what they got....... it is simply a classical style of painting... ..(apart from the fact that she is a model fom the 80s; make up and all)
. i don't know why the scottish castle is in the background...it was nothing to do with James the 1st. ( unless the writer had used it in the fictional story ?)
i had just done this artwork around the same time....So i knew the true history quite well.."
"....King Dido was an interesting job..... art director Dave Larkin, told me I could do something 'a' bit different' if I felt like it', 'nothing abstract' ...just 'something to give it a slightly different 'look' compared to other covers..... I just simply put a white line around the main man, to 'lift him out' of the background.. which again was from old photos of the very poor area of London's East End, which I found in a fascinating book I bought in a Charing Cross Road bookshop.."
Studied Painting and Sculpture at York School of Art, England. Spent his early years as freelance, and worked mainly on artworks for magazines, advertising and book illustration in England and the rest of Europe. An accomplished and adaptable book and magazine illustrator with bags of experience.
Worked for Advertising Agencies and Design Groups in London, Dusseldorf, Hamburg, Frankfurt, Stockholm, Oslo, Brussels, Amsterdam, Milan, Paris, Lyon, Marseille and Nice.
Late 1960s and Early 1970s: Contract with German advertising agency (H.B.U. Dusseldorf) as consultant Art Director and Illustrator, working on experimental three dimensional artworks used in market research.
Paintings published as prints by Paul Hamlin, Frost and Reed (England) and Scandecor (Sweden), a series of five girls' heads in the Top Ten best selling list (1980s).
Exhibited with the "Quichua" painters group in Provence (landscapes and nudes). Worked on publicity material for Bernardo Bertolucci, Stephen Spielberg, Walt Disney Productions.
Portrait Commissions include: H.R.H. The Prince of Wales, Aristotle Onassis, Al Capone, President Kennedy, Sir Lew Grade, Barry Norman, Sybilla Edmondstone, various fashion models.
Worked on specialised architectural illustrations for various developments in the South of France, one in Saudi Arabia. This, in turn have led to commissions (Aerial views) of private houses and gardens.
Commissioned to produce large undersea paintings showing sunken ships, also several large aircraft paintings of corporate jets flying over specific landscapes.
Worked with Sir Norman Foster on a book entitled "Aeroplane" (following a similar concept as the book produced by Le Corbusier in 1925), tracing the history of man's early attempts to fly, through to the most advanced developments of today.
In 2001, conceived and designed a book based on the Japanese "Shunga" books (erotic art) of the 17th century, 25 drawings and 50 sketches were produced.
In 2002 – 2005, conceived and illustrated a fantasy book and film scenario, based on the 11th century journey of Berengaria (later the wife of Richard the Lion Heart) from Provence to the south of Spain.